Le Pétrole en gros ne Peignant pas de Minimum

 
 




Jozef Chelmonski Departure on hunting oil painting reproduction


Jozef Chelmonski
Departure on hunting
ID de tableau::  97131
1882(1882) Medium oil on canvas Dimensions 60.5 X 101 cm cyf

 

 
   
      

Jozef Chelmonski
(November 7, 1849 -- April 6, 1914) was a Polish painter. Chełmonski was born in the village of Boczki near Łowicz in central Congress Poland, Russian Empire. His first drawing teacher was his father (a small leaseholder and administrator of Boczki village). After finishing high school in Warsaw, he studied in Warsaw Drawing Class (1867--1871) and took private lessons from Wojciech Gerson. From 1871 to 1874 Chełmonski lived in Munich. He worked with Polish painters assembled around Jozef Brandt and Maksymilian Gierymski. He also had studied for a few months at the academy of H. Anschutz and A. Strahuber. In 1872 and 1874 Chełmonski visited the Polish territories (Poland as a country did not exist then), Tatra Mountains and Ukraine. His first paintings were done under the influence of Gerson. The works that followed were landscapes and villages. In 1875 Chełmonski went to Paris, where he had many important exhibitions and became known to the art scene. With many orders, the artistic level of his paintings decreased. From 1878 to 1887 Chełmonski visited Poland, Vienna and Venice. In 1887 he returned to Poland and in 1889 settled in Kuklawka Zarzeczna village. Contact with his homeland and nature revealed quality in his artworks. From that time are the best liked Chełmonski's paintings such as Partridge on the Snow, The Storks or Before Thunderstorm. Chełmonski represented the trend in art called "Polish Patriotic Painting". He died in Kuklawka near Grodzisk Mazowiecki in 1914.
Departure on hunting
1882(1882) Medium oil on canvas Dimensions 60.5 X 101 cm cyf

Related Paintings to Jozef Chelmonski :.
| Giovane madre col figlio | Lace women | Wartownik | Portrait d'Emanuel Nobel par Valentin Alexandrovich Serov | Classical hunting fox, Equestrian and Beautiful Horses, 117. |


        
 
   
 

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